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Visual Basic Imaging Routines Microsoft Windows Image Acquisition Library v2.0 Imaging control to replace the Wang/Kodak Image Edit controls |
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| Posted:Â Â | Monday February 03, 2003 | |
| Updated:Â Â | Monday December 26, 2011 | |
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| Applies to:Â Â | VB4-32, VB5, VB6 | |
| Developed with:Â Â | VB6, VBScript (for included demos) | |
| OS restrictions:Â Â | Windows XP; for Windows 2000 see Prerequisites and Comments below | |
| Author:Â Â | Microsoft | |
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| Â Prerequisites |
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Developed as a XP alternative to the Wang/Kodak controls for Windows XP. The Microsoft download page for this dll states the "Supported Operating Systems" is Windows XP, and that "Windows Image Acquisition Automation Library v2.0 is only supported on Windows XP with Service Pack 1 installed." The dll relies on GDI+ available under Windows XP. I have also received reports the dll can also be used on Windows 2000 systems, though possibly only those with the latest service packs. Please see the Comments below. |
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Developers wanting to add image and image device control functionality to their applications will and to check out this new, redistributable dll provided by Microsoft intended to replace functionality introduced with the Wang and Kodak image controls provided in older versions of Windows. Prior to the introduction of Windows XP, the Wang/Kodak control and libraries formed part of the operating system installation (were not redistributable) and provided the only inherent means to offer imaging display and manipulation without relying on third-party controls. However, Kodak Imaging for Windows program and the related controls (ImgScan.ocx, ImgAdmin.ocx, ImgEdit.ocx, and ImgThumb.ocx) are not included with Windows XP. The readme file indicates the Windows Image Acquisition Library v2.0 is only designed to support the PNG, BMP, JPG, GIF and TIFF image formats. It should not be relied upon to support other formats, though they may appear to be supported depending on system configuration.  The download contains the dll, help files, installation instructions and a rash of assorted VB-based demos (and no, it does not contain the image shown ... that's my desktop background): Thesecretlifeofwaltermitty20131080pcee Portable May 2026The transformational journey: small steps, big consequences Rather than a flash of sudden heroism, Walter’s progression is incremental and believable: a missed negative, a plane ticket, a long drive, an unplanned trek into Greenland and Iceland. Each outward step forces internal change. The film smartly maps outer landscapes onto inner thresholds—icy isolation, vast seas, and erupting volcanoes mirror Walter’s shifting interior. Courage, here, is practical: asking a woman out, boarding a plane alone, admitting fear. In that way, the film reframes heroism as quotidian bravery—acts that ordinary people might perform if their imaginations demanded it. Imagination as refuge and indictment Walter Mitty’s frequent fantasies function on two levels. They are respite—brief, intoxicating escapes from a humdrum routine and an unsatisfying job at Life magazine—and they are indictment, spotlighting how far his real life falls short of his inner narrative. Each fantasy is cinematic, exaggerated, and often heroic, revealing not only Walter’s latent desires but also the ways in which imagination can both sustain and stunt us. When imagination becomes a substitute for action, it calcifies potential; the film makes this clear by juxtaposing Walter’s elaborate inner life with his timid external behavior. Limitations and critiques The film’s sentimentality may feel cloying to some; it smooths Thurber’s sharper satirical edge in favor of feel-good uplift. Additionally, Walter’s life before the journey is presented as inert almost without nuance—his relationships and job are sketched quickly to accelerate the adventure. Yet those choices serve an aesthetic aim: to emphasize metamorphosis. While purists of Thurber might bristle, the adaptation stands on its own as a contemporary parable. thesecretlifeofwaltermitty20131080pcee portable Themes of work, value, and creativity At the heart of the plot lies a symbolic object: the lost photograph negative by Sean O’Connell—the proof of a meaningful life and the literal key to Walter’s professional worth. The quest to recover the negative externalizes the search for authenticity. The film critiques reducing human value to a byline or a stock price; it suggests that meaning derives from experience, relationships, and acts of attention. Walter’s growth culminates in a subtle reclamation of agency—he becomes someone whose life generates stories rather than just consumes them. The Secret Life of Walter Mitty is, at surface level, a whimsical story about an ordinary man whose life is enriched by vivid daydreams. Peel back the layers and it becomes a meditation on modern isolation, the friction between imagination and action, and the quiet courage it takes to move from spectator to participant in one’s own life. The 2013 film version, directed by and starring Ben Stiller, modernizes James Thurber’s original short story while preserving its central yearning: the desire to matter, to be more than a passive audience to life. Courage, here, is practical: asking a woman out, The modern malaise: desk jobs, digital erosion, and longing The film situates Walter in an era of corporate consolidation and digital transition—the shutdown of print, the threat to the magazine’s soul, and his boss’s cold pragmatism. These external pressures amplify Walter’s internal drift. His workplace is full of competent, busy people who rarely notice him; technology facilitates distance as much as connection. That quiet, modern loneliness—being present yet invisible—is central to the film’s emotional core. Walter’s journey toward meaningful engagement is therefore not just personal but emblematic of a broader cultural problem: the ease with which a life can be reduced to responsibilities, pixels, and the curated self. Visual storytelling and tonal balance Ben Stiller’s directorial choices embrace both whimsy and melancholy. The cinematography alternates between saturated fantasy sequences and clean, crisp real-world frames, ensuring the daydreams never fully eclipse reality. Icelandic vistas become a character in themselves: vast, indifferent, and instructive. The film’s score and pacing create a gentle propulsion—there’s urgency, but never hysteria. Stiller avoids irony-heavy detachment; instead, he cultivates empathy, asking the audience to root for a man who, at first, is easy to dismiss. Cheryl sees him Conclusion: choosing action over safe reverie The Secret Life of Walter Mitty reframes escapism as a call to action. Its lasting appeal is not merely a celebration of imagination but a plea: let fantasies be blueprints, not bunkers. The film invites viewers to translate longing into experience, to treat fear as a threshold rather than a tomb. In the end, Walter’s true adventure is deceptively simple—he shows up. That small, human act is what transforms an ordinary life into a story worth telling. Love, connection, and the courage to show up Walter’s pursuit of Cheryl functions as both romantic subplot and moral anchor. Cheryl sees him, in small ways, that others do not; her presence catalyzes but does not complete his transformation. Importantly, the film resists the trope of the romanticized prize transforming the protagonist. Instead, Walter’s final worthiness arises from his chosen adventures—the fact that he returned having truly lived—so that connection becomes the reward of an enacted life rather than the impetus for it. Instructions for proper installation of the dll and the help files are included in the readme.txt located in the main installation directory. The readme.txt in the samples folder contains the information above. Developers using wiaaut.dll are granted license to freely redistribute the library with their application as detailed in the redist.txt file inside the zip. (Only this dll is listed in this file, so don't overwrite your VB directory's redist.txt with this file!) This file is provided by VBnet as a service to developers. Any support issues for this product should not be sent to VBnet. Download Microsoft Windows Image Acquisition Library v2.0 (520k) |
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| Â Comments |
| If the file 'gdiplus.dll' is installed on a Windows 2000 machine but not properly registered, calls to wiaaut.dll (the imaging dll) will not work. After registering gdiplus.dll calls to wiaaut should succeed. |
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Copyright ©1996-2011 VBnet and Randy Birch. All Rights Reserved. |
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